For the Culture, Past and Present: A Look Back at Nick Jr.’s Gullah Gullah Island

For the Culture, Past and Present: A Look Back at Nick Jr.’s Gullah Gullah Island

Welcome to the land of the colored/ All we do is win never suffer/Ain’t no cops undercover/where every kid on the block never had a Glock …. /All the kids wearing hoodies/Coming from the back of the 7/11 / Wit’ a bag full of goodies

The above words are the lyrics to a rap song by rapper SilaS. In the song, SilaS imagines a place populated only by Black people. There is no violence from the police, no drugs, and no poverty. SilaS’s imagined world is where Black children are allowed to be just that: Carefree Black kids “cause we don’t look SUSPICIOUS” (emphasis in the original). SilaS’s inspiration for this world is one some of us growing up in the 90s will remember: Gullah Gullah Island. Gullah Gullah Island was a Nick Jr. children’s sing-along program that premiered in 1994 and featured a nuclear Black family. In an e-mail for Vibe magazine, rapper SilaS explains why he uses Gullah Gullah Island as the place for his rap of the same name: “I remember watching the show as a kid and it was like, all black everywhere, black love, black businesses, and a successful black family. So I wanted to incorporate that into the sample which already came from the show and just make something positive to let people know that it’s possible to be successful as a black person and be positive.”[1]

SilaS samples the theme song to Gullah Gullah Island in his intro and invites Black people to a place where they can be safe from the injustice of reality. While Gullah Gullah Island may be imaginary, the impact of the show is one that still reaches far and still inspires Black people to dream of a better world. But just as much as Nick Jr.’s Gullah Gullah Island helps SilaS imagine a different future, it also encourages us to remember the past.

Nick Jr.’s Gullah Gullah Island was inspired the culture and heritage of the Gullah-Geechee people, the legacy of enslaved West Africans who settled along the coasts and sea islands of North and South Carolina, Georgia, and Florida.[2] But long before the show, Ron Daise, who played the father in the show, was already sharing Gullah culture. Daise grew up in the culture on St. Helena Island. Daise, along with his wife, Natalie, who also starred in the show as the mother, toured the country with a multimedia “Sea Island Montage.”[3][4]  Though the show is not about Gullah-Geechee culture, it featured elements of the culture. The show brought Gullah-Geechee culture from the margins and helped preserve the rich culture.

Just as important, Gullah Gullah Island was the first sing-along preschool show to center a Black family and geared towards a pre-school audience. While Black families populated television during the 90s, the Alston family of Gullah Gullah Island gave viewers something different. Though the show was for a very young audience it captured the attention of people beyond its target group, I believe, because of its warmth and inclusion. The Alston family consisted of Ron and Natalie and their children James, Shaina and Simeon and their cousin Vanessa, but their many of their neighbors were also people of color from different cultures. And even though Binyah Binyah Polliwag was a life-sized puppet, he was given full characterization and just as important. The show incorporated smatterings of the Gullah language as well Spanish from its Spanish speaking guest. The show was full of vibrant colors, fun characters, and original songs, not to mention all the food. Of course, there was conflict, but it was always resolved with love, understanding, and grace. Kids, adults, and anthropomorphic puppets were allowed to make mistakes and learn and grow from them. Gullah Gullah Island was a utopia centered around a Black family. Looking back Gullah Gullah Island today, it feels safe. SilaS’s homage to the show emphasizes that. But it is imaginary. SilaS’s video ends with the group of kids still searching for Gullah Gullah Island in the present, but seems to hold out hope that maybe we can find it in the future.

[1]Robertson, Darryl. “Mississippi’s Newcomer SilaS Imagines An All Black City On “Gullah Gullah Island.” Vibe. 17 Feb., 2016.

[2]https://www.gullahgeecheecorridor.org

[3]McCormick, Moira. “Nick Jr.’s Preschool Line Debuts on ‘Gullah Gullah.’” Billboard. 29 April 1995.

[4]Spivack, Elana. “Author, actor shares Gullah songs, stories at Gund.” The Collegian.27 Feb., 2014

–– A. Latson

css.php