The Allen Iverson Era

“I thought that once this day came, it would be basically a tragic day. I never imagined the day coming, but I knew it would come and I feel proud and happy to say that I am happy with my decision.” These particular words were spoken in the year of 2013 from a basketball legend by the name of Allen Iverson. With tears in his eyes and his children by his side, Iverson announced to the world that he had officially decided to retire from the game of basketball. The man that had once been able to fill thousands of seats with fans intrigued by his very unique playing style had now come to the realization that his NBA career was over. As millions of viewers tuned into ESPN to hear his retirement announcement, there were constant status updates on social media websites expressing their sadness to hear arguably one of the best NBA players from the 90s say his final goodbyes to his fans.

Drafted first overall pick by the Philadelphia 76ers in the 1996 NBA draft, the Hampton, Virginia native Allen Iverson would change the sport of basketball forever. Spending two years at Georgetown University as a student-athlete, the announcement of his name on draft night was a major deal. Dressed in a grey suit with his mother and friends in attendance, Allen Iverson had risen from the tough streets of Virginia where he was raised by only his mother. Before that night in 1996, the long road of obstacles presented before him had already begun. In 1993, while still in high school, Iverson and his friends at the time were involved in a fight with a group of white patrons at a bowling alley that led to Iverson eventually being charged with hitting a white woman with a chair. After spending four months in prison at the age of 17, Iverson was released and was granted clemency because a lack of evidence. This particular event not only followed Iverson throughout his NBA career, but it also sheds light on some of the racial tension that was brewing during the 90s.

By the time Allen Iverson had played his first NBA game in Philadelphia, he was already starting to become a fan favorite and attracting a lot of attention. His stardom only grew in the year of 1997 when he played against the Chicago Bulls. It is in this particular game that Iverson was able to use his well-known “crossover” move on the great Michael Jordan. Sending Jordan into a state of confusion, Iverson was able to give him a dose of his own medicine with his quick, but “smooth” moves and seemed to send a statement to Jordan that there was a new star in town. This is what many believed to be Iverson’s introduction to legendary status and many have argued that this was the beginning of the end for Michael Jordan. It was not long after his rise to fame that the media began their image attack on Iverson. From family issues to conversations surrounding racial discrimination, the media ran with the personal life of Iverson and ultimately served as an opponent off the court.

What went from his great abilities to play basketball in 1996 quickly transitioned into debates about his appearance and character outside of the game of basketball. Standing approximately 6 feet with designed cornrows and tattoos, Iverson definitely stood out from the rest of the NBA players. His appearance was able to challenge traditional standards and also allowed critics to paint him as a society-created stereotypical black man with sagging pants and rap music blasting through his headphones. Iverson would also walk onto the court with his hair in an afro and headband on while sporting longer basketball shorts. His ownership in his look was able to attract a brand new fan-base while at the same time pissing off white America and older generation African-Americans. Also his own shoe deal with Reebok allowed him to become an entrepreneur outside of basketball and influence a younger generation watching his every “move”.

With the popularity of Hip-Hop growing during the 90s, Allen Iverson was also able to have an influence in that particular arena as well. His released rap song entitled 40 Bars tackled the aspect of sex, drugs, and money. His is able to brag about his lavish lifestyle as a “baller” on this particular track and present a side of him that his fans has never seen before. The media was able to use this particular song created by Iverson in order to justify their judgements of him. From being called a cheater to a thug, the life of Iverson seemed to have transpire out of control. For a young man that had only ever dreamed of playing professional basketball and win a championship ring which he never did, the evils of fame created difficulties for his career. On one hand Allen Iverson just wanted to express himself through basketball and other creativities, but on the other he seemed to never escape the stereotypes placed on black males living America.

The basketball career of Allen Iverson is very unique and important to the black 90s as it relates to black images presented to the world. His lavish spending habits to his public disputes with his wife, often overshadowed the fact that he was actually able to make it to the NBA finals and be an all-star player for consecutive years. Iverson is often blamed for the Hip-Hop culture in the NBA and is said to be the reason the league enforced a strict dress code for NBA players because of Iverson’s rapper image. In the midst of negativity often associated with Iverson, he was one of the best athletes ever. Not many athletes have been able to change an entire sports league and give birth to a new generation of athletes. Iverson was able to take the number 3 which was his jersey number and forever have it mentioned with the great numbers affiliated with sports history. The love/hate relationship with the man that once argued that he did not need to “practice” can still be found today, two years removed from his official retirement announcement. —Andy Reid

Works Cited

http://espn.go.com/nba/story/_/id/9839119/allen-iverson-officially-retire-oct-30-sources

 

The Lost Boyz “Renee” Song

“A ghetto love is the law that we live by, day by day I wonder why my shorty had to die”, were the words expressed by a young New York based rapper by the name of Mr. Cheeks. These particular words could be found in 1995 on a 16 track album entitled Legal Drug Money by a rap group named Lost Boyz. On track 6 of the album, Mr. Cheeks is able to present a very unique perspective of Black relationships in which he labels as “ghetto love” in a song entitled “Renee”. He is able to formulate a musical story that brings together a young Black male living in the poverty stricken/crime infested streets of New York and a Black woman maneuvering through the corporate world and law school. In the first verse of the song, Mr. Cheeks introduces Renee as a “honey” that is beautiful and rare to be seen walking around the parts of his neighborhood. He introduces himself and proceeds to order two hot dogs and two sodas from the nearest vendor for both himself and Renee as he tells her he is interested. The song instantly takes an ironic turn when Renee accepts his offer of a hot dog lunch and allows him to know her dreams of becoming a lawyer. From conversations dealing with the tough streets of New York to his infatuation with “Philly” blunts, Mr. Cheeks is able to bring Renee into his world and Renee is able to do the same.

The statement “opposites attract” is more true than ever in this 90s Black love rap song constructed through the lens of Mr. Cheeks. On one hand Mr. Cheeks represents the society-created stereotype of Black males being “stoop” chilling thugs and Renee is supposed to be this career-driven Black woman that is too busy for a Black man. Both Mr. Cheeks and Renee are able to debunk these stereotypes and come together by providing each other with knowledge and a love that neither seemed to have experienced before. The mentioning of sex, laughter, life goals, and the constant use of marijuana throughout the song seems to bring them closer and helps the listener better understand this concept of “ghetto love”. Mr. Cheeks is able to add more drama to the song towards the end when he explains that Renee was killed during a drive-by shooting. What started off as a regular day in the “hood” according to Mr. Cheeks leads to the love of his life being killed in a manner that was often depicted in Black 90s music and movies as it relates to the infamous “drive-by”. After learning of Renee’s death, Mr. Cheeks states “I’m pouring beer out for my shorty who ain’t here, I’m from the ghetto so listen, this is how I shed my tears”. This particular statement is able to offer insight into how Black males perceive themselves and how they are supposed to deal with death. Although throughout the song, Mr. Cheeks expresses his love for Renee, but in her death is he is not able to shed a tear because of the constraints placed on him by the idea of Black male “toughness” and his image as a gangster rapper being questioned.

Songs such as Renee offered on the Lost Boyz album by Mr. Cheeks, plays a role in the concept of 90s sentimental rap music. The idea of needing love, but being afraid of it is a theme seen throughout sentimental rap music of the time. Expressing love by remaining “tough” is able to speak to a number of issues associated with Black 90s communities. The Renee song and other songs like it are able tackle love, poverty, sex, drugs, and depression in a very unique way as it relates to 90s sentimental rap. The Renee song by Mr. Cheeks is much more than a nice tune, but instead it is poetry, love, and pain all expressed over a beat that includes a sample from Janet Jackson’s Funny How Time Flies (When You’re Having Fun) 1986 released song. —Andy Reid

Works Cited

https://www.youtube.com/results?search_query=renee+lost+boyz

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